A fire resistant water borne PVA emulsion which is easy to spread suitable for use as a primer or for gluing cloths such as light canvas, calico or muslin to flats or for scrimming polystyrene. |
 |
A medium viscosity compounded emulsion glue. It has good running characteristics and dries to a strong flexible film. Excellent for gluing large areas of canvas and very popular with the big workshops. |
|
A rubber latex, solvent free non-flammable adhesive which provides an exceptionally strong bond with a good open time for working on large areas. Thixotropic, it can be applied by brush or rollers and is generally used for fixing canvas to flats. Clam 2 can also be used for bonding leather, cork, card, etc. |
|
Clear, flexible scenic glue which bonds many porous and non-porous scenic materials. |
|
This environmentally friendly glue is water based and safe to use. We recommend it for sticking canvas murals and cycloramas. |
|
A universal adhesive, sealer and primer. |
|
PVA adhesive, sealer and primer. |
|
Natural rubber latex, solvent free non-flammable adhesive, used widely for bonding canvas, serge, velour as well as paper, card, cork, plastic, etc. |
|
The most popular traditional glue for sticking canvas to timber flats and also used in the preparation of traditional primers and scenic paints. |
|
Like granular size but supplied in a pearl form. Traditionally used for sticking canvas to flat frames. |
|
The preferred glue of non-vegetarian fine artists for sizing canvas and making gesso. |
|
